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Cave«, 2009 by Alan Ruiz.
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Richard Prince will open his new paintings and related newsprint collages, entitled ‘Tiffany Paintings’, at Gagosian Gallery ’s Madison Avenue in New York on May 7th 2010. The image of the painting above, entitled ‘The Moon’, is as Prince puts it himself, ”These things looked like something that should be painted.”
Prince first attracted attention in the early 1980s with images re-photographed from magazine ads, through which he defined for himself the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he has evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own. The highly anticipated show will run through until June 19th 2010.
Begun in 2004 at the juncture of the Nurse and De Kooning paintings and evolving through the Canal Zone and After Darkseries, the Tiffany paintings reflect Prince’s continuing attentiveness to the recurring patterns and suggestive potential of advertising, honed by years of perusing newspapers and magazines. These almost abstract, monochrome paintings treat the plain yet distinctive ads that New York’s most famous jewelry brand has run daily for many years in the upper right hand corner of the same page of The New York Times, while echoing associations with another classic, Truman Capote’s Breakfast at Tiffany’s, whose object of desire Holly Golightly lures admirers only to elude them later.
Prince’s Tiffany paintings are terse, tenuous combines of material reference and literary allusion comprising, in addition to the aforementioned Tiffany ads, scanned news events, obituaries, and the occasional autobiographical note. This field of reference is then painted over in a manner evocative of post-war Abstract Expressionism, from its sedimentary layers and floating blocks of color to the swipes and splatters of its more animated moments. In some cases, words and phrases snatched from the ad copy – “will be girls,” “undecided, and “Picasso”– are echoed suggestively in the titles of paintings; in others, such as Poetry, headlines charged with dread and import loom through obfuscating veils of paint.
Above text extracted from ‘Tiffany Paintings’ press release.
“Have You Ever Really Looked at the Sun?” marks a unique collaboration between artists Damien Hirst and Michael Joo, who first met in Cologne in 1991. This upcoming show will be the first collaborative effort for both creatives and looks to feature new, especially conceived sculptures and installations, as well as seminal paintings and sculptures from Joo and Hirst. A publication will go on sale to compliment the exhibition, which opens May 1st and continues through August 14th, 2010.
HAUNCH OF VENISON
Heidestrasse 46
10557 Berlin
Germany
Have You Ever Really Looked at the Sun? is a unique collaboration between the two artists, who met in Cologne in 1991 and have remained close friends since that time. Engaged in a continuous, twenty-year discourse about their individual artistic practices, this marks the first time Joo and Hirst have worked together to realise a full-scale joint exhibition. Have You Ever Really Looked at the Sun? will feature new, especially conceived sculptures and installations, as well as seminal paintings and sculptures from Joo and Hirst.
Since gaining international attention after showing in the exhibition Some Went Mad, Some Ran Away at the Serpentine Gallery in London in 1995, Joo has employed a highly personal language in the creation of his art to express ideas about identity, nature and the body. In key works like Improved Rack (Elk #18) (2010), a wall-mounted sculpture of elk antlers Joo plays on the traditional presentation of the hunter’s trophy by cutting the antlers into segments and extending them with metal rods. Other major works are a painted pink, bronze life-size sculpture of a zebra, Doppelganger (Pink Rocinante) (2009) and a new group of colorful paintingsof quartz crystals on shaped aluminum panels. Joo will also premier a sculptural homage to Martin Kippenberger involving a framework of ice and prehistoric Irish Elk antlers.
In dialogue with Joo’s works, Hirst brings together signature sculptures and paintings for which he has become known. Included in the exhibition are The Incredible Journey (2008), a zebra suspended in formaldehyde in a whitepainted steel tank and The Black Sheep with Golden Horns (divided) (2009),another major formaldehyde work shown here for the first time. Also on view are Har Megiddo (2008), a monumental circular fly painting as well as The Dark Continent (2010), a stainless steel medicine cabinet stacked with black pills, behind glass.
Source: Other Criteria
The mostly black-and-white collection of works includes ornate latticed designs and cursive phrases "tattooed" with lasers into dollar bills. Stark images of makeshift tattoo pens—inspired by a visit to Mexico's Santa Marta prison, where Campbell applied his craft to some of the inmates—mark a new visual style for the artist.
His second solo show with Ohwow, "If You Don't Belong, Don't Be Long" opens this Thursday, 29 April 2010, and runs through 30 May 2010.
via: coolhunting.
In conjunction with Capcom’s Super Street Fighter IV® release, Triumvir has conceived the Super Street Fighter X collection. Inspired by graphics from the iconic Super Street Fighter II® released back in 1993, the collection presents an abundance of designs accentuated by watercolor accents.
The line featuring beloved characters from the iconic franchise that were not included in past Street Fighter® collaborations such as Cammy, Blanka, and E. Honda. The collection will be available on the Triumvir webstore as well as select retailers.