
Designed in 2006 by Jonas Damon.
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By: Andrew Goldstein and Jada Yuan
At last night's blowout opening party for Terence Koh's new show, "Flowers for Baudelaire," questions of taste predominated. Not about whether Koh — who created a scandal in England earlier this year by showing a statue of Jesus with a huge erection — had gone too far, but about whether people had actually tasted the art. The show, which rising 23-year-old dealer Vito Schnabel (son of Julian) curated in the seamless, immaculately white photography studio of the late Richard Avedon's East 75th Street townhouse, featured an ethereal array of 51 white granulated canvases that were hypnotically blurred by the haze of a fog machine. Viewers were encouraged to remove their shoes before entering the space, where Koh, dressed in a black suit and bright white sneakers, was inviting guests to eat little flecks from the paintings. "You can lick them — let me show you, it's very sweet," he said. "I was just trying to make the simplest paintings possible. It's just plain canvases, corn syrup, and powdered sugar."
While one reporter followed his lead, not everyone was so eager to trust the artist, who has been known to use his own bodily fluids and other unpleasant materials in his work. The art dealer Jeffrey Deitch, who deemed the show "magical," wasn't biting. "The question is we don't know if it's powdered sugar or crystal meth," he said. "I travel with an official taster, so I have to wait for my taster to come." Artist Agathe Snow balked too. "I don't taste paintings," she said. "Did it taste like cocaine?" (No, it tasted like sugar.) Schnabel — who had set up the show through his friend Olivier Sarkozy, the half-brother of the French president and the owner of Avedon's finely appointed house — showed his faith in the artist by sampling the work but warned against overindulging. "I just imagine that titanium pigment wouldn't be good to swallow," he said, adding, "There might be some semen in there, I don't know. Who knows."
Upstairs at the party, an art-world crowd featuring Alanna Heiss, Klaus Biesenbach, Kembra Phaler, and Todd Eberle were joined by glossy figures like Anna Wintour and Salman Rushdie, with people spilling out onto a two-story patio. Sarkozy had installed two of Koh's paintings in his living room, and as the night progressed, the jostling of the revelers created a minor snowstorm of powder. Ann Dexter-Jones was wearing a black coat, but the entire back of it was white. "I bought a painting," she said. "I talked to Terence, and I said I needed to have one. And then I accidentally leaned on one and this happened. Now I'm a little worried." Lyor Cohen's black coat was similarly whitened, but only on the sleeves. He said he hadn't gotten near a painting; he'd just run into a lot of powder-covered friends who kept grabbing his arms, saying, "Lyor, how you doing?" Indeed, the paintings were shedding all over Sarkozy's bookshelves, which lined the floor of the room and an entire wall by the bathroom. (The shelves by the bathroom contained dozens of diet books: Digestive Wellness, Marion Nestle's What to Eat, The Omnivore's Dilemna, etc., as well as Connect Four and a DVD titled Scientology: An Overview.) At some point, guests noticed all the powder on the shelves and started making lines, then took turns scampering about the room with a lampshade on their heads. Whatever was in the paintings, they provided fuel for a memorable night, and an excellent show.
via nymag.

"Rather than showing a 3-D rotation of a still moment, this groundbreaking new filming process manipulates moving snapshots of time using Toshiba technology, redefining cinematic human movement". No CGI imagery was used on the commercial.
Make sure to watch The Making of Video!

The NTSC / 5:1 Surround DVD is now available for pre-order enquires. The DVD will be released with four collectible covers. For those wishing for the High Definition release, we are working on HD digital distribution when the avenues are in place in early 2009. Meanwhile onedotzero are touring the full HD film to cinemas worldwide.

FALLACY OF ROME is the conjoined brainchild of revered Grammy Award winning rapper Lupe Fiasco and Creative Supervillain Le Messie of the FALSE brand movement. A capsule collection embedded into Lupe Fiasco’s 2nd coming to his much sought after FALL OF ROME brand. The capsule collection contains hand-finished garments by the FALSE duo Le Messie & Amanda Scully.
Conceptualized around the “Hound of Hades” story-line that depicts the 3 minds involved in the birth of FALLACY OF ROME along with it’s possible journey into the depths of it’s future.
FALLACY OF ROME is a high-end capsule collection released internationally at only the best boutiques.

You can purchase the application through the iTunes store for $10.





Medicom Fabrick got together with Will Sweeney’s Alakazam!. Using the all-over monster print by the artist, they produced a series of product, including a messenger bag, pouches, room slippers and a cushion.
The Medicom Fabrick x Alakazam collection is now available at Haven.






Back in the 1930s, early stainless steel producer Allegheny Ludlum formed a partnership with Ford to show off their new, novel material. The result was a line of stainless steel showcars, starting with the 1936 Deluxe Coupe and ending with the 1967 Lincoln Continental Convertible, with a '60 Thunderbird in between.
Examples of all three are extant and parked at the Crawford Auto Museum in Cleveland, Ohio. Even cooler, Allegheny Ludlum is still around, and still has two running Continentals that it uses for special events.
via toolmonger

Made in America roughly 200 years ago, this authentic Vampire Killing Kit came stocked ready to battle bloodsucking creatures of night with stakes, mirrors, a gun with silver bullets, crosses, a Bible, holy water, candles and garlic. Housed in an American walnut case with crosses carved in the top, it recently sold at auction for $14,850.
via selectism








The new Dutch five euro commemorative coin by Stani Michiels commemorates architecture.
via Design Observer



by Ariston Anderson
"Last night France's first brother Olivier Sarkozy hosted an unusual opening in his swank Upper East Side abode, which also happens to be Richard Avedon's former studio. Budding art dealer Vito Schnabel (son of painter and filmmaker Julian Schnabel) curated the show featuring Terence Koh, who formerly worked under the alias asianpunkboy. Known as much for outlandish high-fashion statements as for his shocking works often covering pornographic themes (not to mention his apparently guileless approach to it all), everyone was abuzz about what kind of paintings he would show.
In keeping with a common Koh all-white trope, the studio has been turned into a smoky white room, the floor and walls gessoed into a white landscape of slopes eliminating the right angles of the room. After removing their shoes to enter the room, guests are treated to the "flowers," gorgeous readymade canvases, simply constructed from corn syrup and powdered sugar. The results are sweet and mesmerizing in their simplicity, a delicate tribute to the French poet's Les Fleurs du mal."
Flowers for Baudelaire
Open Tuesday-Thursday, 11-6pm
Through January 2009
407 East 75th Street
New York, NY 10021
via coolhunting.







Showcasing a fusion of Native American themes and American pop culture, FAILE continue to impress art aficionados with their signature comic book meets wheatpasting meets painting techniques. On display are a series of collage like paintings alongside smaller pieces and even some wood work featuring an impressive array of skill, which the collective has been showcasing since their formation in the late 90’s. FAILE trace back to some of their Arizona roots with their current exhibition titled Lost In Glittering Shadows at the famous Lazarides Gallery in London. The exhibition will remain open until November 16th!
Photography: Jeremy Gibbs
via SuperTouch











Sämmer shelf / bookcase
By Amsterdam based product designer Martin Sämmer.
From the designer:




Phalanx Studio has just announced the availability of their new Politichio: The Golden Nose and Lying Puppet fine art resin. The new 5.5” piece explores the greed and deception of politicians through the classic tale of Pinnochio, the wooden puppet turned boy whose nose grew ever longer with each lie told.
via vinylpulse.








Louis Vuitton recently revealed plans for the vinyl installation this weekend that will cover the entire store in Murakami’s iconic Monogram Multicolore print for the house.
From: Slamxhype











Villa 1 / Powerhouse Company
Architects: Powerhouse Company
Location: Netherlands

"As real as it gets"
Advertising Agency : Bates141, Jakarta, Indonesia
behind the scenes at ibelieveinadv.com










Indonesian artist Darbotz recently paired with giant sportswear brand Nike to produce a stunning video featuring his trademark monochromatic style.
According to the video’s description, the video was done in conjunction with the AF1’s new position in the Nike Sportswear division.
The Naha Harbor Diner in Okinawa, Japan is a life-size rendition of a banyan tree, also known as gajumaru.
The Banyan Town shopping center near the entrance of Onoyama Park features a twenty foot tall tree with a pan-Asian restaurant nestled amid its branches. Accessible by a spiral staircase around back and an in-trunk elevator, the restaurant specializes in locally grown and organic harvested foods fresh from the farm.












Pics from the new show featuring influential Japanese designer Hiroshi Fujiwara and Pop culture icon Takashi Murakami.
Hi & Lo

Two weeks ago, the Death Star that has hovered over the art world for the last two years finally fired its lasers. It was October 15, the day the stock market fell more than 700 points—again—and a month after Lehman Brothers and Merrill Lynch collapsed and Damien Hirst pawned off $200 million worth of crapola on clueless rubes at Sotheby’s. Against this backdrop, at 11 a.m., the gates of London’s Frieze Art Fair opened, and in streamed the international traveling circus of bigwigs, collectors, curators, advisers, museum directors, trustees, models, movie stars, and critics like moi.
Talk of financial doom filled the air. Karl Schweizer, UBS’s head of art banking, told one reporter, “We are in a liquidity crisis.” Money manager Randy Slifka added, “There is blood on the streets on Wall Street.” Collectors talked about “sewing up our pockets.” Yet much of the art world was playing on as if nothing had happened. A German dealer told Artforum.com, “This economic mess will all be over by January.” Christie’s Amy Cappellazzo spun her house’s recent sales: “If you bought something, you bought something real.” In truth, most of the speculators are buying something real bad or badly overpriced.
In fact, though, things were different. Those of us who have frequented Frieze could see that something was off. Dealers and assistants who in recent years were always busy with clients now stood or sat quietly. Sales were happening, but slowly, one at a time. The claim of “It’s sold” was replaced by “I have it on several holds.” Although the megagalleries like Gagosian and White Cube teemed with moneyed types and very tall women in very high heels, many younger dealers looked perplexed. A gallerist who entered the field in the go-go aughts and who had sold only two pieces by 5 p.m. that first day asked, “What’s going on?”
As I made my way through the 152 booths, I thought about the moment in Titanic when the designer of the doomed luxury liner warns Kate Winslet to find a lifeboat because “all this will be at the bottom of the Atlantic.” When I tried this idea out on attendees, several said I was “a buzzkill.” I asked, “Isn’t the buzz already beginning to disappear?”
If the art economy is as bad as it looks—if worse comes to worst—40 to 50 New York galleries will close. Around the same number of European galleries will, too. An art magazine will cease publishing. A major fair will call it quits—possibly the Armory Show, because so many dealers hate the conditions on the piers, or maybe Art Basel Miami Beach, because although it’s fun, it’s also ridiculous. Museums will cancel shows because they can’t raise funds. Art advisers will be out of work. Alternative spaces will become more important for shaping the discourse, although they’ll have a hard time making ends meet.
As for artists, too many have been getting away with murder, making questionable or derivative work and selling it for inflated prices. They will either lower their prices or stop selling. Many younger artists who made a killing will be forgotten quickly. Others will be seen mainly as relics of a time when marketability equaled likability. Many of the hot Chinese artists, most of whom are only nth-generation photo-realists, will fall by the wayside, having stuck collectors with a lot of junk.
Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren’t virtues. The good news is that, since almost no one will be selling art, artists—especially emerging ones—won’t have to think about turning out a consistent style or creating a brand. They’ll be able to experiment as much as they want.
But my Schadenfreude side wishes a pox on the auction houses, those shrines to the disconnect between the inner life of art and the outer life of commerce. If they don’t go belly up or return to dealing mainly with dead artists, they need to stop pretending that they have any interest in art beyond the financial. Additionally, I hope many of the speculators who never really cared about art will go away. Either way, money will no longer be the measure of success. It hasn’t made art better. It made some artists—notably Hirst, Murakami, Prince, and maybe Piotr Ukla´nski—shallower.
Recessions are hard on people, but they are not hard on art. The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn. New generations took the stage; new communities spawned energy; things opened up; deadwood washed away. With luck, New Museum curator Laura Hoptman’s wish will come true: “Art will flower and triumph not as a hobby, an investment, or a career, but as what it is and was—a life.”
via newyorkmag.

Suckadelic's group show "Suck Off" features custom artist interpretation of his Sucklord 600 figure. Up now at Munky King, the show features one-of-a-kind custom Sucklord figures displayed in removable blister packaging complete with custom backing boards. The show is sponsored by Vinyl Pulse.
Munky King
7308 Melrose Ave.
Los Angeles, CA 90046
323.938.0091





"Vetor Zero and The Ebeling Group’s Lobo packed loads of heartfelt character animation into this feel-good spot for Brazilian airline Gol. "
via motionographer.