The artwork for her latest album, Hurricane, designed and art directed by Tom Hingston Studio, knowingly works the conceit of the popstar as visual commodity: in this case featuring life-size versions of Jones made out of chocolate.
Photographed by Jonathan De Villiers, the cover for Hurricane features a production line of chocolate Grace Jones heads with supporting imagery showing Jones inspecting a range of body parts at various stages of the manufacturing process.
“The original idea was to produce a set of images of Grace being mass-produced but with her being in control of the actual process,” says Hingston. “The crux of the idea is that she has ownership of her identity. We looked at a range of manufacturing processes, from car makers to pottery factories, but there was something about her being made of chocolate that had [the right] connotations.”
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